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+#### Editing
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+
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+Editing, distinct from writing, requires mental space to stitch many lines of reasoning and thought
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+together, compare them, organize them, etc.
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+In software engineering everyone knew the term “in the zone” and sometimes managers would even
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+enforce the space needed by putting employees “in the box”; is it reasonable to assume that a
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+homeless person needs this same amenity? I would say yes, but most people view the homeless as
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+less than human. There is more discussion on Offers later.
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+Is there is productivity metric for screen real estate? Resolution, DPI, Area. # of screens. OSHA. I
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+think there’s a minimum required for some functions like editing. Processing may have similar formula for number of cores and clock speed, as well as memory and bus speed. We could provide
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+concrete examples: 13” MacBook, iPhone SE, big new iPhone, iPad, RasPi 7” RasPi 24”.
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+Editing needs feedback. Writing may be improved by feedback, but the main point of editing is
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+making it presentable for other audiences.
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+Imagine the movie “Almost famous.” I made an audio recording on 3/23. The scraps of paper that
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+the protagonist edits together are his writing. Medium was limited in that time, 80’s at latest, to
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+paper and a few radio and tv and movie and play like things.
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+Content for this section can be pulled ffrom writing and Email, so that the capabilities can be
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+specifically delineated. An email can be printed and a response written and edited beffore typing and
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+sending. If a person has always had a comfortable editing or emailing enviornment then the
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+activities may not be distinct. But in the absense of enough power to run a compting environment, a
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+different approach must be taken. Where can email be printed? For example. Tasks explode in time
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+required, and a new method is simultaneously being learned. If a person were accustomed to it
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+before homelessness, then it wouldn’t be an exponential issue as it is for a first timer at both
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+homelessness and offline email management. On old buddy used to come to my code night and send
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+emails, and he had a laptop but no Internet at home. Editing may require some types of security, at
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+very least from attack and theft and the ability to carry work between days and see it though.
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+Is WYSIWYG required for editing? Can one stitch together a huge array of notes and data by
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+converting them to common formats and configuring scripts? Picture the scene in Almost Famous
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+where he’s writing the article from his notes described as incomprehensible. Could he have turned
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+those notes into the final article? Writers may struggle to refrain from editing while they write—the
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+important part of the first draft is to ship a complete set of ideas, and may be totally rewritten in the
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+final copy. Knowing this, does it seem plausible to stich together the scraps or writing? I would say
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+no. Is a WYSIWYG required? The astute may quip back that things were edited before IT, on paper
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+or rock; indeed. A typewriter leaves its mark and shifts the view. A pin board accepts scraps being
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+pinned to it, and the change is what you get. So yes, in order to edit one must be able to immediately
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+see the final product. To assemble it from scraps, on could argue, one could view the final product in
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+a preview screen. Indeed. Would this lost the UX benefit of for example InkScape where objects can
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+be selected and edited in place? For the most part, yes, without advanced tools to integrate with the
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+rendered document. I would argue that the power consumption would be the hinging factor; the edit-compile-preview loop intuitively sounds more expensive than the WYSIWYG approach. The
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+argument for paper could include lighting costs, if the work will require hours beyond daylight and
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+thus artifical lighting? Screen size is a factor too, like for writing; the preview should fit at a
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+reasonable zoom level in full on the screen.
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+
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+[ IMAGE wysiwyg editor ]
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+
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+One can see page breaks and rivers in white space with WYSIWYG editing, which are an element
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+that the reader notices.
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+WYSIWYG is like training wheels. If you know what the document that you are writing to looks
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+like, then you can imagine the scripts and pieces that would be composed to create it and make those
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+pieces. Without having a visual idea of the end product, it can become intractable to work with
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+scripts. Intractable in the sense that if the mental image changes, then many scripts and sources need
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+to change instead of one document that can be incrementally transformed using the known
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+operations of the wysiwyg editor.
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+So one could make the argument that the scripted solution can produce and document and is thus an
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+equivalent, in fact wysiwyg is an implementation of an imagination system that would be translated
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+into sources and scripts. One could thinkg of writing, editing, production, deployment… editing would be done using the wysiwyg tool, and then its pieces would be mapped into a production
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+system like _____ that is sourced in markdown fed through a binary through a shell script.
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+Wysiwyg is an imagination aid in addition to an editing or writing tool. Writing and editing can be
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+done without one, but when it comes to composing the final document without a clear picture and
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+without experience using tools to make documents that are similar, it is a complex problem of
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+imagining the output and editing the source to generate that output.
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+It takes a certain kind of mindset to be able to work in a loud cafe. Growing up in an abusive home
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+with “one shot” at getting out ASAP is great training. Indeed there are countless distractions, if one’s
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+focus is enough to block that out then they will have a much better chance at doing higher order
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+activities like editing that are a solid step in the road toward wealth.
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+
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+##### Energy usage of WYSIWYG vs. REPL system
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+
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+[ IMAGE power usage graph ]
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+
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+REPL systems may have a lower marginal energy usage since the sources and scripts can be
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+independently edited on less capable viewing hardware. But there are periods of scripting and needing
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+to find documentation that inturrupt flow state—as is the case when learning to use any new tool,
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+nothing in particular about REPL tools causes this. WYSIWYG has a learning curve as well, as does in
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+coding an IDE or illustration software as well as the postscript file format that works on printers.
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+If you want your documents to have character, as well, it’s nice to be able to quickly draw illustrations
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+that fit the final style of the document. Indeed, a REPL loop can offer this but as the changes increase
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+and the number of types of sources increase, whos products need to be linked together increase, the
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+REPL loop will get more expensive. Print can abstractly include refreshing a PDF or HTML view.
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+There are reasons to avoid WYS or prefer REPL but lack of a large screen is not one. REPL does not
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+replace WYS in that respect, in its capacity as an imagination aid. If the document is of a familiar type of the system is familiar and documents can be imagined and mapped to hypothetical source then a
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+REPL system can replace WYS on systems with small screens.
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+WYSIWYG is great for the exploratory period of a work, perhaps through the first draft copy. At that
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+time decisions can be made about producing the work onto the target media, and whether undertaking a
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+project like REPL / build conversion with data merged are worth while. Imagine an engineer founding
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+a project in an IDE and then sub-contracting out some of the modules with fixture data and some
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+particular specificiations. The REPL or build system could be used for an analog of modules of the
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+project, which may be books and worksheets with common records utilized.
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